Makes grading a lot simpler.
What is a DaVinci Resolve PowerGrade?
A PowerGrade is a pre-built node tree you import into DaVinci Resolve and drag directly onto any clip. Unlike a LUT, which applies one fixed, baked-in transformation, a PowerGrade is fully editable: every node, look, grain layer and lens effect stays adjustable so you can match the grade to your footage instead of forcing your footage to fit a preset.
RealFilm PowerGrade V3
RealFilm is a modular PowerGrade system built for creative look development. Instead of one fixed result, you get 11 independently loadable film looks, 2 grain and dust options and 5 optical lens effects, all designed to be combined, stacked and fine-tuned with opacity inside your existing node tree.
From clean film-inspired looks to nostalgic Super 8 textures, aggressive archival grain, moody forest tones and optical lens effects, every component gives your footage more character without locking you into a baked-in result.
Made for filmmakers, colorists and creators who want a faster, more flexible way to grade inside DaVinci Resolve while keeping full creative control.
Commercial Use Included
RealFilm PowerGrade V3 includes a free commercial license with your purchase. You can use the PowerGrade system, creative looks, grain, dust and lens effects in films, commercials, YouTube videos, social media content, client projects and more, without worrying about royalties or copyright issues.
Buy Once, Use Forever
Your license never expires. Once purchased, you can use RealFilm PowerGrade V3 in unlimited projects.
📄 For full details, please refer to the Cine Source Digital Video Product License Agreement (PDF), which is included with your download.
Select your camera below and drag the slider to see the difference.
RealFilm PowerGrade V3 works with LOG footage from all major camera systems, Sony S-Log2 and S-Log3 (FX3, FX6, A7S III), Canon Log 2 and 3 (C70, C300 III), ARRI LogC (Alexa 35, Mini LF), Blackmagic Film Gen 4 and 5 (Pyxis, BMPCC 6K), RED Log3G10, Fujifilm F-Log, Panasonic V-Log, DJI D-Log M and Apple Log.
The system is built around DaVinci Resolve’s native Color Space Transform. Drop it into your node tree, set the input color space to match your camera, and it handles the color space conversion for you.
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RealFilm PowerGrade V3 is a professional DaVinci Resolve color grading tool built for filmmakers, colorists and content creators who want a realistic film emulation without third-party plugins. Every look, grain layer and lens effect is designed to give your footage the organic texture, soft contrast and natural color response of real analog film, fully adjustable inside your DaVinci Resolve node tree.
Makes grading a lot simpler.
- Sofie BraasUsed it as a starting point on a commercial shoot with RED Komodo footage. The highlight rolloff is what gets me, it handles overexposed...
- Marcus De VriesI recently switched from Final Cut Pro to DaVinci Resolve, and color grading was the biggest hurdle. The Real Film PowerGrade from Cine Source...
- Liam CarterAmazing Powergrade!! The colors are perfect and so filmic
- AdiSolid base for every project. 🔥
- Quan.TI've been using RealFilm with my Sony FX3 for wedding films and it's become my starting point for every edit. The S-Log3 handles beautifully,...
- Jake MorrisonYou told me about this PowerGrade before the trip, and I didn’t expect much at first. But once I tried it on my own...
- HieleThis power grade is insane!
- MelvinI'm fairly new to DaVinci Resolve and color grading always felt overwhelming. RealFilm changed that. I use the Novel look as a base on...
- Sara LindqvistI also picked up the Nebula LUTs, and combined with this Real Film PowerGrade, I feel like I can handle pretty much any look...
- RyanQuick setup, professional results.
- RyanA PowerGrade is a pre-built node tree you import into DaVinci Resolve and drag directly onto any clip. Unlike a LUT, which applies one fixed, baked-in transformation, a PowerGrade stays fully editable. Every node, look, grain layer and lens effect has its own controls, so you can mix, adjust and fine-tune the grade to match your footage instead of forcing your footage to fit a preset.
RealFilm PowerGrade V3 works with Sony S-Log2 and S-Log3 (FX3, FX6, A7S III), Canon Log 2 and 3 (C70, C300 III), ARRI LogC, Blackmagic Film Gen 4 and 5 (Pyxis, BMPCC 6K), RED Log3G10, Fujifilm F-Log and F-Log2, Panasonic V-Log, DJI D-Log M, Apple Log and standard REC.709. The system uses DaVinci Resolve’s native Color Space Transform, so no manual CST setup is needed.
RealFilm PowerGrade V3 works with both the free version of DaVinci Resolve and DaVinci Resolve Studio. No Studio license is required.
No. RealFilm PowerGrade V3 uses only native DaVinci Resolve nodes. There are no third-party plugins, external software or additional purchases required to use the full system.
Yes. Your purchase includes a lifetime commercial license. You can use RealFilm PowerGrade V3 in films, commercials, YouTube videos, social media content and client projects, no royalties, no attribution required. Buy once, use forever.
Have additional questions? Feel free to get in touch.
RealFilm PowerGrade | Film Emulation for DaVinci Resolve
RealFilm PowerGrade V3 is a modular film emulation system for DaVinci Resolve. Unlike a LUT or a single-node color grade, RealFilm is built as a library of 11 individually loadable film looks, 2 grain and dust options and 5 optical lens effects, each one a standalone node you drag into your project, stack with others and control with opacity.
The system is designed to render the qualities that make analog film distinct: natural greens, accurate skin tones, soft highlight rolloff, blueish shadow tones and organic grain texture. Every component is fully adjustable inside your DaVinci Resolve node tree without requiring DaVinci Resolve Studio or third-party plugins.
RealFilm PowerGrade V3 works with DaVinci Resolve, free and Studio versions, and is compatible with LOG footage from Sony, Canon, ARRI, Blackmagic, RED, Fujifilm, Panasonic, DJI and Apple cameras, as well as standard REC.709 footage.
One purchase includes a lifetime commercial license, a PDF installation guide and all future V3 updates.
Makes grading a lot simpler.
Solid base for every project. 🔥
I'm fairly new to DaVinci Resolve and color grading always felt overwhelming. RealFilm changed that. I use the Novel look as a base on almost everything now and just tweak the opacity to taste. Finally feel like my footage looks professional.
Used it as a starting point on a commercial shoot with RED Komodo footage. The highlight rolloff is what gets me, it handles overexposed areas way better than most film emulation tools I've tried. The modular setup means I can use just the grain layer on grades I've already built myself. Flexible in the right way.
I've been using RealFilm with my Sony FX3 for wedding films and it's become my starting point for every edit. The S-Log3 handles beautifully, skin tones stay natural and the grain adds just enough texture without looking overdone. Saves me at least an hour per project.
I also picked up the Nebula LUTs, and combined with this Real Film PowerGrade, I feel like I can handle pretty much any look I’m going for.
I recently switched from Final Cut Pro to DaVinci Resolve, and color grading was the biggest hurdle. The Real Film PowerGrade from Cine Source made that transition easy.
It gives a clean, cinematic look straight out of the box, works great on LOG footage, and keeps skin tones natural without weird shifts. What stands out is the balance between speed and control, strong base look, with enough flexibility to fine-tune.
Perfect if you want consistent, professional results without wasting time.
You told me about this PowerGrade before the trip, and I didn’t expect much at first. But once I tried it on my own footage, it just clicked.
My shots finally started to look consistent and cinematic without me overthinking every adjustment. Even with mixed lighting, it held up really well.
Honestly made the whole edit feel way more professional.
Thanks for the review, Hiele. Really appreciate it.
The trip was amazing, and it’s great to hear that the PowerGrade clicked so well on your own footage. That’s exactly what we built it for: getting to a consistent cinematic look faster, without overthinking every single adjustment.
Great to hear it held up well with mixed lighting too. That’s where it really helps make the whole edit feel more polished and professional.
Quick setup, professional results.
Amazing Powergrade!! The colors are perfect and so filmic
Hi Adi,
Thank you for your amazing review of our Powergrade! We're thrilled to hear that you're satisfied with the perfect and filmic colors it provides. If you have any further questions or comments, please don't hesitate to reach out to us.
Best regards,
Richard
This power grade is insane!
Thank you for your amazing feedback Melvin, We appreciate your support!
Best regards,
Richard
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